Free Ebook Black Images in the Comics
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Black Images in the Comics
Free Ebook Black Images in the Comics
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Review
“The book presents a unique look at the evolution of comics, but it also proves comics to be an effective and sobering lens for viewing the history of racism toward blacks.†- School Library Journal
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About the Author
Fredrik Strömberg was born in 1968 in the South of Sweden. He is the editor of Bild & Bubbla, Scandinavia’s largest magazine about comics, writes regularly about comics, heads a school for comic artists and sits on the editorial board for the International Journal of Comics Art. He lives in Sweden.
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Product details
Paperback: 296 pages
Publisher: Fantagraphics Books; 1 edition (June 12, 2012)
Language: English
ISBN-10: 9781606995624
ISBN-13: 978-1606995624
ASIN: 1606995626
Product Dimensions:
5.9 x 1 x 6 inches
Shipping Weight: 15.2 ounces (View shipping rates and policies)
Average Customer Review:
3.5 out of 5 stars
4 customer reviews
Amazon Best Sellers Rank:
#1,471,122 in Books (See Top 100 in Books)
Nice but stereotypical
3 star.
In showing the portrayal of Blacks (the book shows how people of African descent are illustrated not only in America, but in Asia and Europe as well) in comics, Stromberg intentionally shows" what white audiences approved and felt comfortable with in pop culture." It is both uncomfortable and embarrassing to see not just the stereotypical images and roles of Blacks, but for how long these images were acceptable. The messages these images convey is also troubling, as Stromberg identifies seven basic stereotypes (the child-savage "native", the servile "tom", the "comedic rogue", the "piccaninny," the usually female "tragic mulatto", the "mammy", and the "buck.") - and while they occur less frequently today, their impact remains in the portrayal of Blacks in popular culture.In his analysis of these images, we see the evolution of white America's (and Asia and Europe) attitudes towards Blacks, colonialism, racism and social class. For example, in the comics following the Second World War, Blacks fight racism, sexism, even environmental hazzards (as with "Torchy Brown", or in "Judgement Day" - a comic that was published in a 1957 issue of "Weird Fantasy".) As the Civil Rights movement picked up speed and began to gain national attention, Charles Schultz introduced "Franklin" (in 1968), and Mort Walker introduced "Lt. Jack Flap" (in 1970) - both, however, more telling by their lack of personality (in Franklin's case), or as a stereotype of Black resistance (in Walker's.)Hope is held out as towards the end of the 20th century (and the beginning of the 21st) we begin to see Black characters less unique for their "Blackness" - Miles Morales (half Puerto Rican, half Black) as Spiderman, for example. As Charles Johnson writes in the introduction, "I wait for the day when ... a character who just happens to be Black is the emblematic, archetypial figure in which we - *all* of us - invest our dreams, imaginings, and sense of adventure about what the vast possibilities for what humans can be and do ..." Looking back, we've come a way, but we've a long way to go. As uncomfortable as it was to read and see these portrayals, it was an enlightening read.In his introduction, Charles Johnson reminds us that comics in the early 20th century offered "equally repulsive and fantastic portraits of ... Jewish immigrants, ... clownish Irishmen, ... Chinese and Japanese (characters)." True - but
I enjoyed this book. It is a great example of how not only the characterizations of black and/or African people have changed over the years, but also how comics have evolved as a whole. There is an image that fits into every era going onto the modern age. It includes art from artist around the world and refelects the events of that time. I am glad I recieved this book as a gift.
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