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Aperture Magazine Anthology: The Minor White Years, 1952-1976
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From the Back Cover
Published on the occasion of Aperture’s sixtieth anniversary, this first-ever anthology of critical writings from the magazine provides a selection of contributions from the first twenty-five years of its life—years under the editorship of visionary Aperture cofounder Minor White. Edited by Peter C. Bunnell, White’s protégé, eminent photography historian, and curator emeritus at the Princeton University Art Museum, this volume illuminates the key concerns of a remarkable group of figures central to the formation of midcentury American photography.Contributors: Ansel Adams, Ruth Bernhard, Wynn Bullock, Peter C. Bunnell, Harry Callahan, Walter Chappel, Carl Chiarenza, Daniel Dixon, Andreas Feininger, Melton Ferris, Jonathan Green, Michael Gregory, Ralph Hattersley, Wilson Hicks, Michael E. Hoffman, David C. Kelly, John A. Kouwenhoven, Dorothea Lange, Frederick D. leach, Nathan Lyons, Lisette Model, Barbara Morgan, Beaumont Newhall, nancy Newhall, Dorothy Norman, Edward Putzar, Arthur Siegel, Aaron Siskind, Henry Holmes Smith, Frederick Sommer, Diana C. Stoll, John Szarkowski, Dody Warren, Minor White, Garry Winogrand, Cora Wright, George B. Wright
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About the Author
Peter C. Bunnell is the McAlpin Professor of the History of Photography and Modern Art Emeritus at Princeton University and faculty curator of photography emeritus at the Princeton University Art Museum, where he was also responsible for the Minor White Archive. A graduate of the Rochester Institute of Technology (where he ï¬rst studied with Minor White), he holds graduate degrees from Ohio University and Yale University. Prior to coming to Princeton in 1972, Bunnell was curator of photography at the Museum of Modern Art in New York. He has written reviews and commentary for Afterimage, Aperture, Art in America, Camera, Creative Camera, the New Republic, Print Collector’s Newsletter, and Untitled, among other publications. He is the author of the monograph Minor White: The Eye That Shapes (1989) and he edited Photography at Princeton (1998). Bunnell has published two anthologies of his essays: Degrees of Guidance (1993) and Inside the Photograph (2006). He edited two anthologies of writings: A Photographic Vision: Pictorial Photography, 1889–1923 (1980) and Edward Weston on Photography (1983), and was coeditor of two major reprint series, The Literature of Photography and Sources of Modern Photography. Bunnell has taught at New York University, Dartmouth College, and Yale University, and has lectured extensively in the United States and abroad. The former national chairman of the Society for Photographic Education, he was also chairman of the Board of Trustees of the Friends of Photography. He is an Honorary Fellow of the Royal Photographic Society of Great Britain.
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Product details
Hardcover: 455 pages
Publisher: Aperture; 1st Edition edition (October 31, 2012)
Language: English
ISBN-10: 1597111961
ISBN-13: 978-1597111966
Product Dimensions:
7 x 2 x 9.7 inches
Shipping Weight: 3.3 pounds
Average Customer Review:
4.4 out of 5 stars
13 customer reviews
Amazon Best Sellers Rank:
#408,978 in Books (See Top 100 in Books)
This beautifully edited anthology, offers an interesting "Preface" by the editor, Peter C. Bunnell (a photography historian who worked with and personally knew Minor White for many years). Additional content includes a revealing & in-depth interview with Mr. Bunnell by Diana C. Stoll, the senior editor of "Aperture" magazine at the time of publication. Arranged in chronological order from "Aperture"'s beginnings, in 1952, through 1976, at 455 pages, this is a hefty book, full of incredibly interesting & well-written articles that address topics of concern about all aspects of photography during those years. The book, taking actual articles as they appeared in the magazine (with some editing), offers a wonderful in-depth coverage of how these important and early renowned photographers, who began the magazine, traveled philosophically and professionally through time in attempting to give dignity and seriousness to photography as an art form--something that was sorely needed in those early years, as photography was becoming more visible to the public eye. What I found to be especially valuable in reading this excellent book is the evolution of thought on all aspects of photography--from the use of the "miniature" camera (35 mm format), to photography as an art, to exhibitions, to the evaluation of photographs--and on and on. Although this book offers beautifully rendered reproductions of the photographs appearing on all of the covers of "Aperture" magazine for 25 years, along with some examples of work by the magazine founders, this is not a "picture book" of photography--instead it offers much on the thought & practice of photography. Highly recommended to anyone interested in the history of the formative years of American photography.
Nicely done book covering some of the articles and a minimal amount of images from the magazines first 24 years (1952 - 1976), known as the Minor White Years. My only gripe would be that is is difficult, if not impossible to view/read each issue in it's entirety. With this sort of "ground-breaking" discourse it is important for it to be available for not only historical purposes, but for aesthetic purposes as well. Thus far its accessibility is very limited.
What a pair of treasures: Minor White and Aperture. Photographer, teacher, writer., publisher — Minor White is a giant in the world of fine photography for me and the assembly of contributing authors from the post-war era form a lasting treatise on what made photography a potent dialogue in an era when photography and photographs were perhaps a lot more considered and reasoned than now in the era of instant gratification and social media often being the medium of choice.
This is a nice book with heavy-weight pages in a somewhat small format. Frankly the format should have been a bit larger. Author Bunnell clearly states that the text is from his perspective. His relationship to Minor White was close so he writes from knowledge. The book includes adequate illustrations. There is a lot of interest in this book - about White and about the evolution of Aperture in his hands.
Book edited by Peter Bunnell - Princeton. It is not a picture history but rather focuses on articles in Aperture during the Minor White years. They trace the history of photographic thought well and, as you would expect of people who are expert and insightful, the messages frequently still hold today. Well worth reading on several levels, especially for the thinking photographer or ctitic.
Just a look at the list of contributors is fantastic. Adams, Callahan, Feininger, Hattersley, Lange, Siegal, Siskind, Szarkoswski and White and others.
I expected more photographs from the magazine, but it's ok with the reproduction of the original pages and the original texts.
I'm loving the history in this book.
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